4 Large Audience's Jokes

Standup-Comedy Bits

Updated on: Jul 07 2025

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Hey, everybody! You ever notice how having a large audience is like trying to wrangle a herd of caffeinated squirrels? I mean, seriously, it's like trying to corral excitement and attention with a butterfly net! You start talking, and suddenly, it's as if you've unleashed a pack of attention-hungry wolves.
I performed for this massive crowd the other day, and it was like trying to navigate a sea of people with the attention span of goldfish on roller skates. One moment they're with you, and the next, they're distracted by the person in the third row who accidentally sneezed while juggling nachos.
I tried to connect with them, you know? I threw out some relatable jokes, like, "Who here hates Mondays?" But with a crowd that size, it's like playing a game of comedic Marco Polo. You shout out your punchline, and you're just waiting for that distant "Polo" of laughter to come back. And sometimes, it feels like it got lost in the Bermuda Triangle of punchlines.
So, performing for a large audience is a bit like being a stand-up comedian in a zoo, where the only thing wilder than the animals is the unpredictability of human attention.
You know you're dealing with a large audience when you can hear this strange phenomenon: the whispered laughter. It's like the crowd collectively decided, "Let's all laugh, but only at a volume that won't disturb the person next to us."
I told a killer joke the other day, and I could hear these sporadic bursts of laughter throughout the auditorium, like popcorn kernels going off individually. It's like they're in a silent disco of comedy, everyone grooving to their own laughter wavelength.
And then there's the delayed reaction. You drop a punchline, and it's like the laughter has to go through customs before it's allowed to enter the room. "Hold on, let me check your comedic passport. Okay, you're clear to proceed. Ha-ha!"
I sometimes wonder if there's a secret society of laughter coordinators in the audience. "Okay, Section B, you're responsible for the belly laughs. Section C, you handle the chuckles. And Section D, you're in charge of the awkward snorts. Let's synchronize, people!
Performing for a large audience is like riding a wave of laughter. It starts as this gentle ripple in the front rows, and you're just hoping it builds into a tsunami of hilarity that engulfs the entire room. But sometimes, it's more like a laughter drought.
I told a joke last week, and I swear I heard crickets instead of laughter. Crickets! I didn't know they sold tickets to my show. It's like the audience collectively decided to go on a laughter strike. "Nope, not laughing today. We're protesting mediocre jokes."
And then, when the laughter finally hits, it's like a tidal wave of joy crashing over you. You're riding high on the crest, and for that brief moment, you feel like the comedy king of the world. But just like any wave, it eventually recedes, leaving you standing there, soaked in applause and desperately hoping the next set is a tsunami and not a kiddie pool splash.
Performing for a large audience is a roller coaster of emotions. One moment you're on top of the world, and the next, you're wondering if your jokes are being intercepted by a laughter black hole. But hey, that's the beauty of comedy – you never know which way the laughter tide is going to turn.
Have you ever been on stage in front of so many people that you start feeling like Waldo in a Where's Waldo book? You're up there telling jokes, trying to spot a friendly face, and all you see are rows and rows of people looking at you like you're the entertainment at a lizard people convention.
I mean, there are so many faces in the crowd that at times, I felt like I was doing a comedy show in the middle of a census. "Excuse me, sir, can you laugh and fill out this demographic survey at the same time?"
And let's talk about eye contact. With a small audience, you can make eye contact with everyone. But with a large audience, it's like trying to make eye contact with someone in a space shuttle. You're just scanning the crowd, hoping to lock eyes with someone, and when you do, it's like winning the lottery. "Jackpot! I made a connection with the guy in the 17th row who's questioning his life choices."
Performing for a large audience is like playing hide and seek with your self-esteem. You're up there, trying to be funny, and you can't help but wonder, "Are they entertained, or are they all just practicing their poker faces?

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