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Moffat's characters have more layers than an onion dipped in philosophy and wrapped in time travel. Just when you think you've peeled back the last layer, there's another one, and another one, and another one... I'm starting to think he's secretly training us for an emotional onion-eating contest.
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You know you're in for a wild ride with Moffat when the opening scene has you thinking it's a quaint period drama, and by the end, you're questioning the fabric of reality, the nature of existence, and whether or not your toaster is secretly plotting against you.
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I swear Moffat must have a PhD in creating cliffhangers. You're there, on the edge of your seat, heart pounding, palms sweaty, just waiting for resolution. But nope! He leaves you hanging like a kid on a swing set waiting for a push, and you're left screaming, "Give me closure, not more questions!
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You ever notice how Moffat can take the simplest of concepts, like a library or a statue, and turn it into the most terrifying thing ever? I mean, I used to love statues. Now, thanks to him, I can't look at a garden gnome without having nightmares!
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Moffat writes characters that have more lives than a cat on a hot tin roof! One minute they're alive, the next they're a hologram, then they're a memory, then they're back with a new face. It's like watching a game of Whack-a-Mole with emotions!
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You know you're watching a Moffat show when you think you're watching a drama, but suddenly, out of nowhere, a character pops up from the future, gives you a cryptic message, and you're left wondering if you accidentally switched channels to a sci-fi thriller!
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Ever tried explaining a Moffat plot to someone who doesn't watch his shows? It's like trying to describe the color blue to a blindfolded person. "So, there's this time-traveling detective who's also a ghost, but not really, and they're trapped in a loop, but it's a love story set in Victorian London... Just trust me, it makes sense... kind of.
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Moffat has this uncanny ability to make you fall in love with a character and then, boom! He snatches them away like a magician pulling a rabbit out of a hat, leaving you emotionally traumatized and questioning your life choices.
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Moffat's shows are like a roller coaster designed by a mad scientist. You start off slowly, thinking it's a gentle ride, but before you know it, you're upside down, inside out, and questioning your sanity. And just when you think it's over, he hits you with another loop, leaving you dizzy, disoriented, and desperately searching for the nearest exit... or the next season.
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You ever notice how whenever you're watching a show written by Moffat, you start off thinking you've got it all figured out? Like, "Ah, it's a simple story." But by the end, you're so twisted up in plot twists and turns, you need a flowchart and a PhD in time travel just to explain it to your confused cat?
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